Express 2012-2013

Yasmeen Abdelhamid

Rob Blumstein

Josh Cohen

Rebecca Elowe

Maddy Fournier

Annie Forchetti

Christian Frese

Annie Hamilton

Allan Heo

Ryan Hultman

Elana Hunt

John Huszagh

Julia Levinson

Lesley Levy

Emma Lichtcsien

Sarah Mendelson

Christian Mergl

Luke Oberholtzer

David Pfeifer

Billy Rude

Meg Ruocco

Nathan Salstone

Jordy Shulman

Jenny Shults

Ramsey Wehr

Ow! and Fermata Nowhere 2012-2013

Thank you to all who auditioned.  Your hard work and talent made our decisions difficult.  Congratulations to the new members of Ow! and Fermata Nowhere.

Ow!

Sean Alvarez

Jordy Harris

Alan Heo

Danny Hensel

Christian Mergl

Nathan Salstone

Jordy Shulman

Fermata Nowhere

Yasmeen Abdelhamid

Rebecca Elowe

Annie Forchetti

Maddy Fournier

Julia Levinson

Lesley Levy

Emma Lichtcsien (sp?)

Keira McCarthy

Sarah Mendelson

Jessica Rubin

Jenny Shults

Outstanding Choir Member of The Year

Each year, all of the GBN choirs select one student in their class that they believe to be outstanding in choir. The winners exemplify all the wonderful qualities of an excellent musician and genuinely nice person. Outstanding choir members are not always the best singers in the room. They are frequently the person that lends a helping hand, offers help with sight reading, or who does not hesitate to give a hug. Their outstanding presence in choir makes class a better place.

Students: Please click on the appropriate link below to nominate a student for OCM of the Year. You must sign in with your Glenbrook ID number. Please be honest and articulate as these nominations will be shared in class. Only nominate students that are currently in the same choir as you. Each class will then vote from the pool of nominees. Winners will be announced at the Choral Awards Banquet on Wednesday, May 9th.

Treble 2/3

Treble 6/7

Varsity/Spartan

Cecilian Singers

Chorale

Recording a CD Part Two: Finishing Touches, Post Production, and the Recording Experience 12/09/2011

December 1st arrives and a stack of boxes appears in my office. I rush to open them to see hundreds of glistening CDs, neatly wrapped in plastic, each disc a symbol of all the work put into this tiny little product. But what the disc holds is even more impressive. Our female a cappella group, Fermata Nowhere, has debuted their first professionally recorded CD, Falling for Fermata. And wow, have we fallen for Fermata.

This 9-month project was filled with great memories, road bumps, and learning experiences for the girls and for me. After our spring recording sessions, where we did the bulk of our recording, we arrived back in the fall ready for a CD to appear. But, it did not. We still had a very raw product that needed audio tweaking, CD artwork, and even spots where solos were missing in songs! We reorganized ourselves to ensure that we could finish our product. We were lucky enough to even record one track for the 2011-2012 group, giving them a valuable studio experience. It is my hope that our experiences can help other directors or students interested in a quality recording experience.

Finishing Touches

After our spring sessions our studio sound engineer provided me with a sample CD full of raw tracks. He had done some very minimal editing and I was tasked with critiquing the tracks, finding small errors, adjusting balance, adding effects. In listening to our rough tracks, I discovered many issues. First, 3-4 solos were accidentally not recorded. I was not surprised because in the flurry of the spring we were simply trying to get as much material recorded as possible. I soon corralled the necessary personnel and booked the studio. I tried to consolidate this down so we took as few trips back to the studio as possible, mainly for budgetary reasons. We also decided to add a few extra elements to our tracks. One of our numbers did not seem to pop or have the drive it needed to feel energized. We added vocal percussion to provide an underlying rhythmic support.  A crazy roadblock was a unique technical mishap. While recording the guide track to a song, we found out that the piano was tuned one half step higher than our original key. And, we discovered this after we had recorded the vocal accompaniment.  We had two options: have our soloist sing the solo a half step higher OR use the sound software to electronically lower the voices. This is always a tricky process because altering actual human voices electronically can quickly become very obvious (a la Glee). We chose to lower the existing parts and we ended up with a great sound overall. After all recording was completed; I spent time one-on-one with our sound engineer to offer suggestions on balance and effects. Once this process was truly complete, our sound engineer mastered each track- spending time with each song, tweaking as many parts as possible. I was left with a master CD that was close to our final product.

Post-Production

Our sound engineer, our CD graphic designer, and myself accomplished the post-production work. I listened to the CD over and over again- listening again for small errors. I would e-mail the notes to our sound engineer. Notes frequently looked like this:

  • Rolling in the Deep: 3:22 – bring up the soprano 1 part that duets with Jodi
  • I Wanna Dance With Somebody: very end – sounds like one voice is holding longer than others
  • Jar of Hearts: 3:15 – bring up alto 1 slightly (it is an echo part that has some ‘oohs’ and text)

We also had artwork designed for our CD. Our CD manufacturer provided templates so that our artwork would easily be printed. These templates were available for download from their website. More about our manufacturing company to come. For CD designs, I tried to use other CDs as examples. This was a great way to double-check for necessary information. Make sure to check and double-check for spelling, spacing, font, etc. Once it goes to print, there is no changing it so use your colleagues and students to check over the materials as well.

We had our CDs created through an on-line company Discmakers (www.discmakers.com). The process for having CDs created and duplicated is rather simple. The easiest process is to submit all your materials through the online system. Uploaded master tracks and pdfs files are collected and reviewed by their staff. Every CD project is assigned a project manager that would check in with me and always kept our CD on track. We chose to mail in our master CD, just to be safe, but once Discmakers had our materials, they were ready to print. We did one last double check, finalized a quote, and went to print. The CDs were delivered about two weeks later. There are several vendors that provide this service, but Discmakers was very convenient. They have a very useful website that lets you toy with different CD options (CD booklets, jewel cases options, various other promotional materials). There shortest turn around time can be as short as 4 days – perfect for those 13th hours, if needed. Basically, do your research and try to always communicate with a human being about your actual order.

Recording Experience

There are several practical things that I know I will consider for my future projects.

–       Create a budget: know your financial limitations going into your project. Of course, your CD sales will cover costs, but make sure to have money to pay for things on the front end. Financial limitations might have an impact on your total number of songs recorded, quality of artwork, recording studio choice and quality, etc.  We supplemented our budget with ticket sales from our spring a cappella concert, bake sales, and a few donations.

–       Keep good records: track your spending, track your selling, track everything.

–       Plan for extra expenses: you may not realize that you need to go to the studio for 2 more hours to record a couple extra things or need to pay for shipping or find mechanical licenses more costly.

–       Time, time, time: allot enough time for recording sessions. In general, we spent 4-5 hours per song in the studio. Directors – don’t forget about all the outside time required for post-production.

–       Release Date: I was never comfortable setting a date in stone. Instead, I tried to market a season – “Catch the new CD, Falling for Fermata, coming out this fall!” Exact dates usually are not pinned down until you have finalized a quote with the CD manufacturer.

–       Just do it! Trying anything once will provide you with the experience to do it again and do it again better!

The unique part of this process is that you have this keepsake that will last for years to come, but so much more comes out of this experience.

2010-2011 member, Farnaz Dadrass:

I’m so happy that Fermata had the wonderful opportunity of recording “Rolling in the Deep” for our CD because it was an unforgettable experience. Recording is actually just like it is in the movies: we wore the headphones, sang into a high-tech microphone, and received critique from Mr. Wallace from the sound booth. Although it was super cool, recording got a little frustrating when we had to re-record certain sections a number of times, but in the end it was well worth it because now there’s a great song on an even greater CD!

2010-2011 member, Annie Forchetti:

Being a first time member, I was a little unsure going into the studio for the first time. All of the high tech equipment made me even more nervous and excited. As soon as we started, I think something clicked with all of us and even in almost complete silence; we bonded and became closer than ever. I could truly feel that we were going to have an amazing year not only vocally but also from a “friendships to last a lifetime” standpoint. Overall, I think the fermata recording experience really made us closer and a more cohesive fermata group.

The students put it best; this experience unites the ensemble in such a distinctive way; musically, emotionally, and socially. – Mr. Wallace

 

Have you fallen for Fermata? Order their new CD now!  Only $15 from a current member or Mr. Wallace at awallace@glenbrook225.org.

Catch Fermata Nowhere’s New CD, Falling for Fermata

Glenbrook North is proud to debut our newest CD, Falling for Fermata, recorded by our female a cappella group, Fermata Nowhere. Singers from the 2010-2011 and 2011-2012 groups both contributed to this amazing compilation of songs ranging from pop to Broadway. This 9-month adventure was an awesome learning experience for our music organization and we are so proud to get to share it with our community.

CDs can be purchased for $15 by mailing in an order form, contacting a current member, or contacting Mr. Wallace at awallace@glenbrook225.org .

Enjoy this short sample of one of our powerful tracks, Rolling in the Deep. We are sure you too will fall for Fermata.

Rolling in the Deep (sample) (mp3)